The Sounds of India: Kabir Amritwani

Kabīr, (born 1440, Varanasi; died 1518, Maghar), iconoclastic Indian poet-saint revered by Hindus, Muslims, and Sikhs alike.

Kabir was initiated by Swami Ramananda- a major exponent of Vishishtadvaita philosophy who considered lord Rama as Iṣṭa-devatā. Kabir too often refers to Ramaas his lord. He did not become a sadhu, nor did he entirely abandon worldly life. Kabir chose instead to live the balanced life of a householder and mystic, a tradesman and contemplative. However, there are conflicting views of whether he actually entered into a formal marriage or not.

Kabir's family is believed to have lived in the locality of Kabir Chaura in Varanasi. Kabīr

maṭha (कबीरमठ), a maṭha located in the back alleys of Kabir Chaura, celebrates his life and times. Accompanying the property is a house named Nīrūṭīlā (नीरू टीला) which houses Niru and Nima's graves. The house also accommodates students and scholars who live there and study Kabir's work.

Kabir's legends describe his victory in trials by sultan, a Brahmin, a Qazi, a merchant and God. The ideological messages in Kabir's legends appealed to the poor and oppressed. David Lorenzen describes primary purpose of his legends as a "protest against social discrimination and economic exploitation".

His greatest work is the Bijak (the "Seedling"), an idea of the fundamental one.

This collection of poems elucidates Kabir's universal view of spirituality. Though his vocabulary is replete with Hindu spiritual concepts, such as Brahman, karma and reincarnation, he vehemently opposed dogmas, both in Hinduism and in Islam. He often advocated leaving aside the Qur'an and Vedas and simply following Sahaja path, or the Simple/Natural Way to oneness in God. He believed in the Vedantic concept of atman, but unlike earlier orthodox Vedantins, he spurned the Hindu societal caste system and Murti-pujan (idol worship), showing clear belief in both bhakti and Sufi ideas.

Kabir calls his God by the name of Rama. However, his Rama is not the Rama of Ayodhya born of Dashratha. His Rama is Niranjan (without taint), Nirakar (formless) and Nyara(omnipresent, extraordinary). Here, his views are in line with the best ideals exposed in the upanishads.

His Hindi was a vernacular, straightforward kind, much like his philosophies. A major part of Kabir's work as a bhagat was collected by the fifth Sikh guru, Guru Arjan Dev, and incorporated into the Sikh scripture, Guru Granth Sahib. The hallmark of Kabir's works consists of his two line couplets, known as the 'Kabir ke Dohe'.

Kabir's poetry today:

There are several allusions to Kabir's poetry in mainstream Indian film music. The title song of the Sufi fusion band Indian Ocean's album Jhini is an energetic rendering of Kabir's famous poem "The intricately woven blanket", with influences from Indian folk, Sufi traditions and progressive rock.

Noted classical singer, late Kumar Gandharva, is widely recognized for his wonderful rendering of Kabir's poetry.

Prahlad Singh Tipaniya is an Indian folk singer who performs Kabir bhajans in the Malwi

folk style from Madhya Pradesh. He performs together with a group of tambura, khartal, manjira, dholak, harmonium, timki, and violin players.

He is associated with The Kabir project, which brings together the experiences of a series of ongoing journeys in quest of this 15th century north Indian mystic poet as well as other Bhakti and Sufi poets in our contemporary worlds. Started in 2003, these journeys inquire into the spiritual and socio-political resonances of Kabir’s poetry through songs, images and conversations.